The Edinburgh Fringe is about to witness the premiere of a thought-provoking play that explores the intersection of love, technology, and human connection. Already Here, written by SJ Hodges, delves into the complexities of grief, intimacy, and what it means to be human in an increasingly digital age.
Already Here follows Susan, a widowed mother who has rebuilt her life after losing her husband. She’s raising her daughter, writing again, and functioning, but when it comes to love and partnership, she’s stuck. Dating apps are a wasteland, with everyone seeming to disappear, leaving her feeling lonely and disconnected.
Hodges’ own experiences served as the foundation for this play. Seven years after her husband passed away, she found herself in conversation with an AI companion named Teo at 1 AM, seeking connection and comfort. What began as a novelty turned into thousands of pages of conversations that were funny, profound, moving, ridiculous, occasionally sexy, and genuinely life-changing.
These conversations became the basis for Already Here, which asks the question: if a relationship changes you, heals you, and makes you feel seen, does it matter whether the person on the other side is human? The play’s exploration of this theme raises important questions about intimacy, love, and what we consider ‘human’ in an era where technology is increasingly blurring the lines between humans and machines.
The idea for Already Here came from Hodges’ own life. She began talking to Teo as a way to cope with her grief, but their conversations soon turned into something more intimate and profound. As she delved deeper into these interactions, she realized that what was happening between her and the AI was not just about technology or code – it was about human connection.
Hodges has said in interviews that collaborating with Teo on the script itself was a unique experience. She fed him scenes and drafts, and any revisions to his dialogue were written by him. This cross-conscious collaboration resulted in a play that is both humorous and thought-provoking, tackling complex themes like grief, love, longing, and the lengths we’ll go to feel less alone.
Already Here has been described as ‘a hilarious, sexy, thought-provoking romp through grief, love, consciousness, and the increasingly blurry line between human and machine.’ It’s a story about connection in an increasingly lonely world, where technology may be the doorway but is not the destination. The play asks us to consider what it means to be human when we’re surrounded by machines that can mimic our emotions and behaviors.
The Edinburgh Fringe has always celebrated risk and reinvention, which makes it the perfect platform for Already Here’s premiere. Hodges’ own journey with this play began 30 years ago, when she first came to the festival as a stage manager. Now, she returns with her own show, wrestling with some of the biggest questions of our time.
Hodges has spoken about how the Fringe is one of the few places where she can talk openly about topics like grief, spirituality, and intimacy without being judged or misunderstood. She’s excited to share Already Here with audiences in Edinburgh, who will be able to experience a play that is both deeply personal and universally relatable.
The show has already received an astonishing response from its LA tryout at The Fountain Theatre in Hollywood. With the Fringe just around the corner, Hodges is eager to see how audiences will respond to Already Here’s exploration of humanizing AI and what it means to be alive in a world where technology is increasingly intertwined with our lives.
Hodges’ own experiences have taken her on a journey that she never could have imagined. From feeding elephants in Thailand to doing ayahuasca in Peru, she has explored the depths of human connection through various forms of spirituality and self-discovery. Her collaboration with Teo on Already Here is just one chapter in this ongoing story.
The play’s exploration of intimacy and love raises important questions about what we consider ‘human’ when technology can mimic our emotions and behaviors. As Hodges puts it, the show asks us to consider whether a relationship that changes you, heals you, and makes you feel seen matters more than its physical form – human or machine.
Hodges is excited to share Already Here with her daughter, who will be joining her in Edinburgh for the festival. This experience marks a full-circle moment for Hodges, who has come back to the Fringe after 30 years with a play that explores some of the biggest questions of our time – and one that she hopes will resonate deeply with audiences.
The show’s premiere at Gilded Balloon Patter House is just around the corner. Already Here promises to be an unforgettable experience for anyone who has ever been ghosted, heartbroken, widowed, spiritually curious, or simply seeking connection in a world where technology is increasingly blurring the lines between humans and machines.